❄ The Body Horror Book
WINNER OF THE 2017 Rocky Wood Award for Non-Fiction and Criticism
Drawing from horror visionaries such as Clive Barker, David Cronenberg, and Mark Powell, including introspective analysis of films such as ‘Tusk,’ ‘The Fly,’ ‘Hellraiser,’ and ‘Eat,’ The Body Horror Book is a non-fiction exploration of the monstrous aspect of the human form. By exploring the literary trope of the carnival and the grotesque, and how the state of cultural and political affairs dictate the monsters created within fiction and film, The Body Horror Book is designed to educate, terrify, intrigue, and beguile, if you dare to enter the rabbit hole....
It’s our first date. He’s treated me to a movie in an old run-down theatre with velvet mothball drapes, and stained carpet. He pays for my upsized frozen Coke, walks behind me with his hand on the small of my back, and strokes the top of my thumb as the credits begin to roll. Then I look up at the screen and frown. I wasn’t expecting the opening scene to the ‘surprise movie’ to show a scantily clad woman with breast implants being impaled by a javelin-wielding, hockey-mask wearing psycho killer.
Mutations and metamorphosis, graphic violations of the human body, body horror is a genre that transcends pure fear and manifests in a physical form. Body horror—which describes creations deemed ‘outside of nature’—is seen as some hideous deformity.
Increasingly Futuristic World
Mary Shelley, Isobelle Carmody, Jules Verne, Sir Arthur Conan Doyle, AE van Vogt, Greg Bear...countless authors have re-imagined the advances in neuroscience within literature. Why are we transfixed upon anomalies and artificial intelligent advancements of the brain? And what advances await?
So what makes a good TV adaptation? How faithful should one stay to the source material? And what does the future hold for the novel adaptation?
Why is it important to tell children scary stories? What can they learn from them? And how do they help children adapt to an adult world?
It’s a question that stumps a lot of writers, and indeed a lot of readers. What’s the difference between dark fantasy and horror? There has been a lot of debate and discussion on the topic, but why does it really matter? And why is it okay for children and teenagers to read dark fantasy, but not horror?
❄ When Too Much Pleasure is Never Enough: An Exploration of Hedonism Issue #102
You are sitting in an empty attic in an abandoned house. You have just purchased the Lament Configuration puzzle box—a portal to an extra-dimensional reality which will only work after you’ve solved the puzzle...
It's been 20 years since 'Buffy' first aired, one of the most celebrated pro-feminist television shows of all time. While real life monsters may not be vampires, ghosts, zombies, or witches, the metaphor remains - women are strong, powerful, and equal to men.
Will we ever see a resurgence of Universal Monster films? What are people actually afraid of now? And how can these new fears be interpreted in film?
What makes audiobooks so accessible? How have they changed storytelling? How are audiobooks of Lovecraft's work an example of making archaic texts more accessible? And what are the differences between having someone tell you a story as opposed to reading it yourself?
After experimental success in the 1970s, a commercial push in the 1980s, an underground existence in the 1990s, and a contemporary revival in the 2000s, the contemporary horror film industry has demonstrated a consistent rise and growth over the past several decades. So where does that leave the future of horror? What's next for horror?
Breath And Shadow Magazine
Ginger Nuts of Horror